tag:blogger.com,1999:blog-11295909.post8421719897701760400..comments2024-02-23T03:28:33.435-05:00Comments on Culture Industry: Mark Scrogginshttp://www.blogger.com/profile/01431113440875342809noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-11295909.post-1926997932115445652008-10-08T23:57:00.000-04:002008-10-08T23:57:00.000-04:00On Issue 1: At least you got one that suits you. T...On <I>Issue 1</I>: <BR/><BR/>At least you got one that suits you. The one attributed to me is on page 1773. I think it was written on a diaper during a drug-induced orgy at an assisted living facility; translated in Nigeria and then e-mailed in a mass "Mr. Esquire, esq." spamming to a three-year-old who also accidently saw the most horrifying clips from <I>Silence of the Lambs</I> and made some crucial editorial decisions before converting it to .pdf. <BR/><BR/>Oh, shoot. It does suit me, doesn't it?Suhttps://www.blogger.com/profile/04433373615583845484noreply@blogger.comtag:blogger.com,1999:blog-11295909.post-89332312514308010122008-10-08T16:10:00.000-04:002008-10-08T16:10:00.000-04:00a good thought exercise--thank youmaybe what you c...a good thought exercise--thank you<BR/><BR/>maybe what you call “crosscutting of lexis & range of reference” is only one point of comparison. might syntax be another? <BR/><BR/>and the lyricism of Prynne is not so much foreshortened as anamorphic. still, you were right to choose a term from painting to describe it.<BR/><BR/>is it the earlier Prynne [eg White Stones] that you compare Fuller’s work to? <BR/><BR/>sorry, I responded to your questions with more questions. as I said, a good thought exercise…Anonymousnoreply@blogger.com